The Round House, as it is known in Perth, at the junction of Tay Street and Marshall Place, is formally titled The Fergusson Gallery and is home to the largest collection of works in existence by the Scottish Colourist John Duncan Fergusson (1874-1961).
I found myself a tad disappointed at the opening day of the new exhibition Cars: Accelerating the Modern World at the V&A in London, which runs to April.
I’m of a certain vintage musically – old enough to play vinyl, tapes, CDs and, to show off, by turning on a blue and cream plastic Decca wall-mounted radio from the sixties.
Your Courier of late has been filled with stories providing unhappy reading of the impending closure of the Camperdown golf course, which has disappointed many readers.
A highly-unusual public ballot to sell an extremely rare gold sovereign will be staged by the Royal Mint on Friday this week.
THE STAR lot in Lyon & Turnbull’s art sale in the capital on Thursday is (for me, anyway) John Duncan Fergusson’s Seated Nude, a small bronze sculpture depicting a woman almost as if she were in a trance, seated with her head facing intently forwards.
This will be a familiar scene to many of us – a train making landfall in Fife after crossing the Tay Bridge – though the backdrop of industrial Dundee in this magnificent Terence Cuneo poster from 1957 is scarcely recognisable in the modern city’s waterfront.
Bonham’s pre-Christmas sale of fine books and manuscripts saw Britain’s most famous atlas bid to an astonishing £35,000.
COLLECTING: Picture of Glasgow traction engine goes for £2,125, nearly quadrupling pre-sale estimate
Something different for you this week, plucked from Lyon & Turnbull’s sale of rare books, manuscripts, maps and photographs in Edinburgh on October 9.
I brought you a book last week – and here is another. This is a basket case of a bible, though, if you’ll pardon the phrase.