Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Scaling mountains by bike is a labour of love

Post Thumbnail

Mountains have not always been a part of cycling. It was not until the introduction of the Col du Tourmalet in the Tour de France in 1910 that the public got a chance to witness the “baroudeurs” of the road scale these impossibly high mountain passes.

That year, Octave Lapize was the first rider over the top of the Col du Tourmalet – earlier that day he had also battled against the gradient on the Peyresourde, the Aspin, the Aubisque and the Osquich on a 326km long stage.

That loop of mountain passes came to be known as the Circle of Death. Lapize was not impressed with the organisers’ decision to include mountains into their race. As he cursed his way up to the summit of the Tourmalet he bawled at the race officials: “Vous êtes des assassins! Oui, des assassins” (You are murderers! Yes, murderers!).

You must remember that at that time many of the climbs were little more than unmade gravel cart tracks and the riders were pedalling on single gears. Lapize threatened to quit the event, but he regained some of his composure on the descent and went on to win the stage and eventually the overall race a few days later.

The riders may have hated the mountains, but the journalists covering the race were whipped up into a frenzied hyperbole. One wrote of the The Circle of Death in l’Auto as the place “Where hopes of Tour de France immortality go to die. Where wild bears roam the cols. Where men are broken, emotionally, physically, spiritually, totally.”

The fans lapped it up and the legends of the mountain “grimpeurs” was born and a spark lit in cyclists around the world.

Since then, despite the technological advances in cycling, a ride in the mountains is still a challenge, but riders still seek the longest and steepest gradients to push themselves to their limits.

The pain and suffering that every rider goes through to haul their body weight and bike up the climb, usually accompanied by curses and exclamations of “never again” is a strange addiction and one that is unfathomable to non-cyclists.

What could be so appealing about grinding your way up these behemoths of gradient? There isn’t a specific answer to that. I have guided riders to the summits of cols across Europe and each one has had a different response.

Some are in bits, covered in sweat and snot and hanging over their handlebars, others have wept with joy, with pain and some in memory of friends departed.

Others have been ecstatic and grinning from ear to ear. I have even had some nonplussed by the whole affair.

One rider, who had just climbed the 30km of the spectacular Col de Bavella on Corsica, told me: “That got a bit tedious.”

At the end of the trip I asked if they had taken any good photographs – they had and proceeded to show me a screen shot of their riding data from their Garmin cycling computer.

So the motivations for cycling in the mountains are varied and sometimes incomprehensible, even to other cyclists, but just visit Alpe du Huez during the summer months to witness the tens of thousands of cyclists crawling their way up the slopes.

There must be something in it; something more than what appears to be an inherently masochistic pursuit.

I’m not sure I can even explain my own enjoyment of climbing mountains by bike. What I do know is that I enjoy being in the mountains. I love the views, although sometimes the only view I have is that of sweat drops on my handlebars as I toil onwards and upwards.

I love the physical exertion – it is addictive.

But perhaps most of all, I love following in the pedal strokes of those, such as Octave Lapize, who pedalled their way through mountain passes and into the annals of cycling legend.

Where to Ride: Montrose Basin

OS Landranger 1:50000 Map 54

Start: Mains of Dun Car Park NO669591

Distance: 12m/ 20km

Details: An on-road route around the nature reserve of Montrose Basin, with great views of the basin as you ride and plenty of places to visit on the way including the Scottish Wildlife Visitor Centre and Bird Observation Point at Montrose Basin, and Mains of Dun Farm with its mill remains.

From Mains of Dun head south to join the A934, then A92 through Montrose before turning left onto the A935 to take you back to Mains of Dun.