Another week, another new Audi. Two new Audis, in fact. The German car maker has announced a couple more additions to its Q line up of SUVs. The Q4 is a coupe-SUV hybrid that will go up against the BMW X4 and Mercedes GLC Coupe. As its name suggests, it’ll be positioned between the compact Q3 and bigger Q5. At the other end of the scale is the Q8, which will go head to head against the Range Rover. It’s lower and sleeker than the Q7 Audi is also producing. In concept form, it sat only four people, although it seems likely the production version will be a five seater. There’s a 630 litre boot as well. Eagle eyed Audi followers will notice the only SUV slots left to fill are the Q1 and Q6. Watch this space...
Audi’s Q2 was one of the first premium compact SUVs on the market. It sits below the Q3, Q5 and the gigantic, seven seat Q7 in Audi’s ever growing range. Although it’s about the same size as the Nissan Juke or Volkswagen T-Roc, its price is comparable with the much larger Nissan X-Trail or Volkswagen Tiguan. Even a basic Q2 will set you back more than £21,000 and top whack is £38,000. Then there’s the options list which is extensive to say the least. My 2.0 automatic diesel Quattro S Line model had a base price of £30,745 but tipped the scales at just over £40,000 once a plethora of additions were totted up. Size isn’t everything, however. In recent years there’s been a trend of buyers wanting a car that’s of premium quality but compact enough to zip around town. It may be a step down in size but the Q2 doesn’t feel any less classy than the rest of Audi’s SUV range. The interior looks great and is user friendly in a way that more mainstream manufacturers have never been able to match. The simple rotary dial and shortcut buttons easily trounce touchscreen systems, making it a cinch to skim through the screen’s menus. https://www.youtube.com/watch?v=4eQ5p5Z7-Ek&list=PLUEXizskBf1nbeiD_LqfXXsKooLOsItB0 There’s a surprising amount of internal space too. I took three large adults from Dundee to Stirling and no one complained about feeling cramped. As long as you don’t have a tall passenger behind a tall driver you can easily fit four adults. At 405 litres the boot’s big too – that’s 50 litres more than a Nissan Juke can muster. Buyers can pick from 1.0 and 1.4 litre petrol engines or 1.6 and 2.0 litre TDIs. Most Q2s are front wheel drive but Audi’s Quattro system is standard on the 2.0 diesel, as is a seven-speed S Tronic gear box. On the road there’s a clear difference between this and SUVs by manufacturers like Nissan, Seat and Ford. Ride quality, while firm, is tremendously smooth. Refinement is excellent too, with road and tyre noise kept out of the cabin. It sits lower than the Q3 or Q5 and this improves handling, lending the Q2 an almost go-kart feel. On a trip out to Auchterhouse, with plenty of snow still on the ground, I was appreciative of the four-wheel drive as well. The Q2 is expensive – though there are some good finance deals out there – but you get what you pay for. Few cars this small feel as good as the Q2 does. Price: £30,745 0-62mph: 8.1 seconds Top speed: 131mph Economy: 58.9mpg CO2 emissions: 125g/km
Today our correspondents suggest a name for a new bridge and discuss tax breaks for the computer game industry, green energy, religion and schools. Name new Perth bridge after famous angler Sir, One of your readers suggested that a bridge over the River Tay at Perth, intended for pedestrians and cyclists, was a waste of money. How very Scottish. The cost of £1.38 million appears a good investment given that Scotland is often seen as the sick man of Europe with high death rates from heart disease and strokes. Anything that enables us to improve our lifestyle by reducing the burden on our health services must be money well spent and the council should be applauded. As concerns a name for this landmark, might I suggest Ballantyne's Bridge after Miss Georgina Ballantyne, who will forever be linked with the river having caught a Tay salmon in 1922 weighing 64lbs - a UK record for a salmon landed by rod and line. Kenneth G. N. Stewart.Landalla,Florence Place,Perth. Throwing good money after bad Sir, I am not sure if Steve Bargeton was being tongue-in-cheek in his recent diary column (September 18) but his opinion on the computer games industry was neatly juxtaposed with an article on the opposite page about the collapse of Dundee firm Realtime Worlds. Your political editor says that providing £40 million of tax breaks per year to the sector would provide the public purse with a net gain of £400 million in tax receipts and create 3500 graduate-level jobs and presumably solve world poverty and reverse global warming at the same time. If only life was that simple. The figures provided sound like typical industry/ political spiel. Meanwhile, back in the real(time) world, your other article quoted an industry expert as saying that the firm's pivotal APB game attracted sales of only one ninth of that necessary for its survival. It seems unlikely that tax breaks would have somehow enhanced the game sufficiently to increase its sales nine-fold. As history has shown time and time again, throwing public funds at fundamentally uncompetitive products and businesses is just taxpayers' money down the drain. Of course, taxpayer-funded assistance and a favourable regulatory environment can help industry in appropriate circumstances but the Scottish political mindset seems dominated by the need to find a deserving home for as much public money as possible - and there's always a queue of willing recipients, whether in the private or public sector. And while the bills for the profligacy have to be paid eventually, both Labour and the SNP seem preoccupied with trying to deny their part in the spending spree, while the Tories and Lib Dems are being accused of threatening the economic recovery by being over-zealous in trying to turn off the tap. Stuart Winton.Hilltown,Dundee. Fantasy of green future Sir, The articles covering the views of the MSPs Jim Mather and Murdo Fraser on wind farms (September 20) are yet another reminder of the dangers of expanding onshore wind production in Scotland. Murdo Fraser is correct in pointing out the adverse effects on our landscape and hence tourism but the concept of visual amenity is subjective and personal. What is more objective and less arguable is the cost of installing the infrastructure and the vast amount of subsidies and incentives given to landowners and developers, relative to the amount of dependable electricity actually produced by wind turbines. Jim Mather and the Scottish Government have long known that wind farms are very poor sources of dependable power, frequently producing less than one per cent of UK supply. He and they also know that Scotland only produces around one-fifth of one per cent of the world's carbon emission "problem." As Energy Minister, Jim Mather owes us all an explanation of why he and his colleagues expect consumers to pay high prices to solve a "problem" that scarcely exists, using a system that scarcely works and at prices more and more people will scarcely be able to afford. It is time the fairy tale of wind power was ended. Ron Greer.Armoury House,Blair Atholl. Two-fronted attack on church Sir, Ian Wheeler asks if the threat of Islam is uniting Catholics and Protestants in the fight for survival (September 21). Let us hope so. Islam has powerful non-Muslim players in the field if you count the secular, the atheist and the left-liberal neo-Marxists, all with their own particular reasons for supporting Islam. The average British secularist disputes any religion but more so Christianity. The average militant atheist attacks the Christian God but, when challenged similarly to treat the Islamic God, refrains, claiming all religions are the same. The neo-Marxists are the most dangerous. Their liberal organisations support Islam in its anti-Christian and anti-capitalist stance which makes them useful in the fight to establish a "progressive" society. Andrew Lawson.9 MacLaren Gardens,Dundee. Educational poverty trap Sir, David Robertson's suggestions that the way to improve school performance in Dundee is to have more religion in them is simplistic and laughable. He erroneously states that schools in Scotland which are not Catholic are Christian. Presumably he means Protestant. I have never come across a school in Scotland which describes itself as Protestant. They are non-denominational. The solution to the gap between the children living in poverty and those who are not is a redistribution of wealth. We do not need to scare children into obedience by telling them untruths about eternity in hell. Alan Hinnrichs.2 Gillespie Terrace,Dundee. Get involved: to have your say on these or any other topics, email your letter to firstname.lastname@example.org or send to Letters Editor, The Courier, 80 Kingsway East, Dundee DD4 8SL.
Standing out from the crowd on Tinder can be tough, but with the help of Microsoft PowerPoint a British student has managed just that – and gone viral in the process.Sam Dixey, a 21-year-old studying at Leeds University, made a six-part slideshow entitled “Why you should swipe right” – using pictures and bullet points to shrewdly persuade potential dates to match with him on the dating app. The slideshow includes discussion of his social life and likes, such as “petting doggos” and “laser tag”, and “other notable qualities and skills” – such as being “not the worst at sex” and “generous when drunk”.It even has reviews mocked up from sources such as “Donald Trump”, “Leonardo Di Capri Sun” and “The Times Guide to Pancakes 2011”.Sam told the Press Association the six-slide presentation only took about 20 minutes to make and “started off as a joke”.However, since being posted to Twitter by fellow Tinder user Gracie Barrow, Sam’s slideshow has been shared tens of thousands of times across social media.So, it’s got the seal of approval form Gracie, but how has the slideshow fared on Tinder? “I’d have to say it has been pretty successful,” Sam said. “Definitely a clear correlation of matches and dates beforehand to afterwards.“Most of the responses tend to revolve around people saying ‘I couldn’t help swipe right 10/10’ but I’ve had some people go the extra mile and message me on Facebook.“Plus some people have recognised me outside, in the library and on dates.”A resounding success.
For more than 150 years Perth Show has been a popular, once a year meeting point for the people of the city and the farming community. The show - now the third largest of its type in Scotland – remains as always a showcase for champion livestock but this year holds a much wider appeal for visitors. To be held on Friday and Saturday August 5 and 6 on the South Inch, throughout the two days, trade stands, sideshows, entertainment, activities, music and parades all add to the vibrancy of the show along with a new culinary direction. “For the first time, Perth Show is set to feature a cookery theatre and food and drink marquee,” said show secretary Neil Forbes. “This will bring a new and popular dimension to the visitor attraction. “Perth Show 2016 is also delighted to welcome Perthshire On A Plate (POAP) - a major food festival, celebrating the very best in local produce and culinary talent. “Organised by Perthshire Chamber of Commerce, the two-day festival will run as part of the show and feature celebrity and local chefs, demonstrations and tastings, book signings, food and drink related trade stands, fun-filled activities for ‘kitchen kids’ and a large dining area and pop-up restaurants in a double celebration of food and farming.” Heading the celebrity chef line-up are television favourite Rosemary Shrager (Friday) and spice king Tony Singh (Saturday), backed by a host of talented local chefs including Graeme Pallister (63 Tay Street) and Grant MacNicol (Fonab Castle). The cookery theatre, supported by Quality Meat Scotland, will also stage a fun cookery challenge between students from Perth College and the ladies of the SWI. A range of pop-up restaurants featuring taster dishes from some of the area’s best known eating places will allow visitors to sample local produce as they relax in the show’s new POAP dining area. “We’re trying to create a wide and varied programme of entertainment,” said Mr Forbes. “Late afternoon on Friday will see the It’s A Knockout challenge with teams from businesses throughout Perth and Perthshire competing against each other. “And the first day’s programme will end with a beer, wine and spirit festival where teams can celebrate their achievements and visitors can sample a wide range of locally produced drinks.” This year will also see the reintroduction of showjumping at Perth Show on the Saturday afternoon.
An Abertay University project that gives graduates hands-on experience in the video games industry has been praised by the UK government. In its official response to the House of Commons Scottish Affairs Committee report on the games industry, the UK Government said work is already being done to promote the scheme it funds. However, despite making a commitment to maintain an internationally competitive games industry in Scotland, the response refuses to acknowledge that computer games have any cultural importance and continues to deny the industry tax relief as a result. The government praised the ongoing focus at Abertay University on working with businesses to prepare graduates for work in the industry. Their response says it is "very pleased with progress" on the £5 million Prototype Fund run by Abertay University for investing in new creative companies. Paul Durrant, director of business development at Abertay University, said, "We are very pleased to see the UK government acknowledge the value of the games industry. "However, it is disappointing not to see the cultural importance of the games industry being accepted as equal to that of the film industry, particularly as the UK film industry benefits from tax relief because of this status." The original Scottish Affairs Committee report, which was launched at Abertay University in February, described Abertay as "a beacon of how successfully to equip graduates for work in the industry" and recommended it be used as a model for education across the UK. "We see huge new opportunities open up in social and mobile gaming, industry-ready graduates and initiatives such as our Prototype Fund." The Prototype Fund also supports Abertay University's commitment to industry skills by offering graduates from across the UK the opportunity to work on funded projects. Dundee West MP Jim McGovern has said the government's response failed to recognise the specific needs of the games industry. Developers and trade organisation TIGA have long campaigned for tax breaks which they say are necessary to allow them to compete with firms based in countries which already offer similar tax breaks. Image used under Creative Commons licence courtesy of Flickr user Ciaran McGuiggan.
An award-winning Tayside song writer who immortalised the 50th anniversary of the Tay Road Bridge in music last year has released an EP which pays tribute to the newly opened Queensferry Crossing over the Forth. Perth-born Eddie Cairney, 65, who now lives in Arbroath, has released an album called ‘Sketches o' the QC’ which includes songs dedicated to the “isolated” workers who were employed during construction and contrasts the old Forth Road Bridge to the new crossing with its wind shields designed to keep traffic flowing during storms. Eddie, who delayed the release of the album due to family illness and bereavement, said: “It's just another quirky album like I did for the Tay Road Bridge. https://youtu.be/Z6BblA_Zev4 “As you can probably imagine, how do you write six songs about a bridge? “I usually end up using a process of creative journalism. I get a few facts or even just a single fact and then I let my imagination take over. “With each album early on in the writing process I draw a blank and think there's nothing here I can write about but there's always something to write about. “You just have to hang around long enough and it comes eventually. https://youtu.be/a9NyQAFjDsY “I just took threads from here and there. I was going to call the album The Queensferry Crossing but thought that was a bit boring so I went for Sketches o' the Q.C. “It introduces a bit of ambiguity. If you Google the name you get lots of drawings of court scenes!” Eddie was inspired to write Columba Cannon after reading an article about the general foreman for the foundations and towers. https://youtu.be/y_y1y8oV7vo Eddie said: “It was the name that got me and that gave me the first line of the song "He is a bridge builder wi a missionary zeal" Has to be with a name like Columba!” Fishnet bridge was set in a meditative light, describing the bridge as a “thing of beauty that looks like a big fish net glistening high above the Forth but it is a symbolic fishnet with the song taking the form of an imaginary conversation with the bridge.” https://youtu.be/dJgsl2WQ5G0 “Midday starvation came from an article which highlighted the isolation of the workers working high up on the bridge,” he added. https://youtu.be/Dme-bfCXHRI “If you forget your piece you've had it and you starve for there's no nipping round to the corner shop for a pie. The article also said that a local pizza delivery firm regularly delivered a pallet load of warm pizzas to the bridge so that was "midday salvation"! Meanwhile, The boys frae the cheese is a play on words. https://youtu.be/phtQ2-Xx1I0 He added: “I read an article that said The Forth Estuary Transport Authority (FETA) could have acted sooner and avoided the costly closure of the bridge at the end of 2015.” Eddie is no stranger to music and song influenced by Dundee and wider Scottish history. In 2015 he featured in The Courier for his efforts to put the complete works of Robert Burns to music. With a piano style influenced by Albert Ammons, Champion Jack Dupree and Memphis Slim, and a song-writing style influenced by Matt McGinn, Michael Marra and Randy Newman, the former Perth High School pupil, who wrote the 1984 New Zealand Olympic anthem, has organised a number of projects over the years including the McGonagall Centenary Festival for Dundee City Council in 2002. Last year’s Tay Road Bridge album included a tribute to 19th century poet William Topas McGonagall and also honoured Hugh Pincott – the first member of the public to cross the Tay Road Bridge in 1966. https://www.youtube.com/watch?v=y51tixl9GEs Thanks to The Courier, he also became one of the first to cross the Queensferry Crossing when it opened to the public in the early hours of August 30.
An Angus dump which found fame as the world’s most unlikely haute couture catwalk has been binned. Restenneth on the outskirts of Forfar shot into the global spotlight when top British designer Stella McCartney selected it as the unusual setting for a summer shoot, bringing top models north to pose among bin bags, tattered newspapers and rusting cars in £1,000 dresses. The rubbish runway’s reputation then spread to Europe and hot on the high heels of McCartney’s film crew, an Italian Vogue entourage arrived for another arty shoot which was premiered to an international audience of the industry’s movers and shakers at the Milan Fashion show. https://www.youtube.com/watch?v=P7up1bG5d00&t=46s In the second production, entitled Allegory of Water, model Julia Campbell-Gillies was filmed next to a heap of discarded mattresses as digger works away on countless tonnes of local waste. While the Angus site may have stumbled upon the unusual power to lure international fashion types, council chiefs have revealed there is now less demand for its prime function and Restenneth has received its last landfill load. Angus environmental services chief Graeme Dailly told communities councillors landfilling at the site east of Forfar had ended at the beginning of this month and the final cell of the sprawling dump will be capped later this year. Restenneth has been used by the council for residual waste since 1999, but a procurement exercise last November led to independent firm MVV being appointed to manage the disposal of residual waste for both Angus and neighbouring Dundee City Council. https://vimeo.com/254835375?ref=tw-share MVV have taken over operation of the Forties Road site at Baldovie in Dundee, which has a capacity of 110,000 tonnes per annum, and Angus residual waste is already heading there. That left Restenneth taking only rubbish from private businesses, but councillors heard that in the last three months only five local firms had made infrequent use of the site. “Over the last few years, the use of Restenneth by private businesses has declined rapidly through the introduction of the landfill tax levy, rising to £88.95 in April,” the committee report added. Council bosses hailed the unexpected international focus on Forfar’s finest dump when the fashionistas flocked to it and there remains a glimmer of hope that it may hold future appeal for photographers of a different breed. “A proposal concept for the new restoration profile is in already in place and ready to be implemented, which includes tree/shrub planting, the shallowing out of existing slopes and the introduction of a wetland to the remaining void to support the wildlife and birds that frequently use Restenneth,” the report added.
Dundee’s Tag Games is targeting “aggressive growth” as it gets set for a string of key appointments. Ongoing recruitment will take the city games studio’s workforce to around 35, but founder and chief executive Paul Farley told Courier Business the new additions would also hasten further expansion. He expects Tag’s “massively important” new hires which will include a senior business development executive, art director, and marketing and data management support to help grow headcount to 50 over the coming months. “These are strategic appointments, but we’re being fairly aggressive in how we want to grow the company,” Mr Farley said. “We want to get bigger, but it’s also about planning for the future and ensuring we’ve got the people we need to keep delivering great games to customers. “The industry is more competitive than it has ever been, so this is about some key hires for the next stage of Tag’s development.” Tag is already on course to post its strongest ever turnover this year, but the new appointments are key to the company’s future. Mr Farley said a yearly review of the business had shown areas for new growth. Bringing the marketing function in house is important in the ultra-competitive marketplace, he added, while better interpretation of existing user data will help to focus what Tag offers. “It will mean we’ve got good people in all the key posts and will allow us to get to 50 fairly quickly,” Mr Farley said. “This is about planning for the future and ensuring that we don’t stagnate, which is just so important in our industry.” But he warned that, while Dundee is full of good industry talent, bringing candidates for top jobs to the city could prove challenging. “We could probably maintain our position in terms of where we are at our current size,” he said. “But we don’t want to stay where we are we want to go for the much more aggressive growth. “We think we can get business in the current environment in many multiples of what it is now.” Mr Farley said Tag is “expecting great things” from a busy pre-Christmas period, with several releases on the cards. The studio, which specialises in social and mobile games, has already worked with a range of well-known names including Doctor Who and Channel 4’s Hotel GB. Recent releases included a penalty-kick game for credit card firm and English league cup sponsor Capital One, which hit the top of the UK’s Apple download chart.
Audi’s relentless release of new models continues with the launch of its smallest SUV. The Q2 goes on sale in the UK next week with prices starting at £22,380. There’s an extensive selection of petrol and diesel power trains as well as the option of front or Quattro four-wheel drive. More models will be added to the range later on, including powerful SQ2 and RSQ2 versions. Aimed squarely at a younger audience, the Q2 has bolder, sharper lines and a different shape to Audi’s bigger SUVs, the Q3, Q5 and Q7. Although it’s clearly meant more for buzzing around cities than growling across farmland, cladding and skid plates lend it an aura of ruggedness. Audi is also offering a range of vibrant colours to deepen the Q2’s appeal to youthful buyers. The interior is as plush as you’d expect from Audi, justifying its price hike over similarly sized SUVs like the Nissan Juke and Honda HR-V. The materials are high quality – softtouch plastics, leather on higher spec cars and brushed aluminium trim elements all blended into a smart-looking package. As standard, drivers get a seven-inch infotainment screen on top of the dashboard. It’s operated through Audi’s rotary dial system that’s far more intuitive and easier to use when on the move than rivals’ touchscreen systems. Among the many options is Audi’s excellent Virtual Cockpit - a 12.3in screen that replaces the manual instruments behind the steering wheel. Overall, the Q2 is 4.7in shorter than the A3 hatchback, but Audi says there’s enough leg and headroom for two adult passengers in the back. Boot space comes in at 405 litres – 50 more than you’ll find in the A3 hatchback and rival Nissan Juke, although it trails the Mini Countryman by the same amount. To begin with, the only diesel option is a 1.6 litre with 114bhp, although a more powerful 184bhp 2.0 litre unit will be added to the range soon. Similarly, the petrol engine range is limited for now but will be expanded by the end of the year. The 1.4 litre, 148bhp unit offered now will be joined by 1.0 litre, 114bhp three cylinder turbo and 2.0 litre, 187bhp options – the latter coming with an S-Tronic automatic gearbox. When it arrives the 1.0 litre petrol version will be the cheapest model in the range with a price tag of £20,230. Courier Motoring has yet to get its hands on the car but early reviews have been very positive and Audi looks to have yet another winner on its hands. email@example.com