Another week, another new Audi. Two new Audis, in fact. The German car maker has announced a couple more additions to its Q line up of SUVs. The Q4 is a coupe-SUV hybrid that will go up against the BMW X4 and Mercedes GLC Coupe. As its name suggests, it’ll be positioned between the compact Q3 and bigger Q5. At the other end of the scale is the Q8, which will go head to head against the Range Rover. It’s lower and sleeker than the Q7 Audi is also producing. In concept form, it sat only four people, although it seems likely the production version will be a five seater. There’s a 630 litre boot as well. Eagle eyed Audi followers will notice the only SUV slots left to fill are the Q1 and Q6. Watch this space...
Jonathan Feeney-Brown tells Caroline Lindsay how a career in the beauty industry has given his life a makeover Jonathan Feeney-Brown is living proof that if you want something badly enough, you’ll get it. Despite not doing that well at school and leaving at the first opportunity, the 29 year old from Dundee is now a successful make-up artist and a Dior beauty ambassador. “High school wasn’t so great for me,” Jonathan recalls. “It wasn’t easy being gay in the early 2000s and I wasn’t a very confident teenager.” Despite a passion for fashion and beauty, he never thought he could be part of that industry. But fate had other plans. Working as an entertainer for Haven Holidays one summer, Jonathan realised how much he loved the hustle and bustle of getting ready backstage. Discovering that fake tan boosted his confidence inspired him to look for other products which helped enhance his appearance. “The more make-up and beauty products I used, the more I learned,” Jonathan says. Keen to learn more he enrolled on a hairdressing course at Dundee and Angus College in 2014 when he was 26. He did so well that he skipped a year and went straight into SVQ Level 3 Hairdressing. “I thought I would be the oldest in my class and get laughed at,” he admits. “But I made so many friends and absolutely loved it. “I won Student of the Year in 2016 and was the first male since 1977 to do so.” And that’s not his only accolade – he was also a finalist in the prestigious British Education Awards earlier this year. “That was amazing and it was such a different experience. I was really flattered that I made the top three finalists out of 125 applicants,” he smiles. “My family are so proud and I’m a winner in my eyes.” Jonathan’s own style icons include Marilyn Monroe “for her natural beauty” and Dead or Alive singer Pete Burns who died in 2016. “I love him because he was different and wasn’t scared to express himself through fashion. I always advise my clients not to follow the crowd just because it’s the cool thing to do. Do what you like and what suits you. “Knowing the colour wheel and how to conceal properly is a priority for me when doing make-up,” he continues. “It gives you the ideal blank canvas.” Jonathan hopes to graduate with an A in HND in make-up artistry in June and work his way up the Dior ladder. But his dream doesn’t end there – he wants to make a name for himself in the media industry. “I’ve worked with a few celebrities and hopefully I can add more names to the list,” he says. “And I have a few movies and TV shows that I’m working on later in the year.” However, what brings him the most pleasure is helping people feel good about themselves. “When I’m finished doing someone’s hair and makeup, I feel so proud to put a big smile on their face,” he says. His advice to anyone seeking to follow their dream is simple: “There are always going to be highs and lows in life but if you want something – go out and get it.” www.dundeeandangus.ac.uk
The first of Dundee University's winter graduations ceremonies were held on Thursday, as graduands and their families descended on City Square. Two of the three ceremonies took place, with the remaining event due on Friday morning. Around 1,000 undergraduate and postgraduate students will have graduated across the three ceremonies. They are held for students whose courses finish after the traditional summer graduation will be recognised. However, they also allow students to reflect on their time in the city. One such graduate, Jonathan De Vries, moved from America to study his own country's history. Quickly establishing himself as a star student in the American History masters, the 35-year-old has now obtained a PhD in the subject. In addition to his academic success, Jonathan also found his future wife Jennifer at the university. Jennifer, a nursery teacher who was studying at the time, accompanied Jonathan to his graduation. Things could have turned out very differently for the couple had a very simple gesture not persuaded Jonathan that his future lay in Dundee. "I had completed my undergraduate degree at the University of Wisconsin–Platteville and had already decided to study in Scotland," he explained. "I had offers from several universities but as soon as I applied here I was given a Dundee email address. It felt as if I already belonged at the university and we had an established connection.” Jonathan’s PhD focused on the history of Kentucky. He noticed many historians tend to focus on the early settlers in America or established communities. "You’ve either got nothing, or you have Little House on the Prairie," he explained. "I wanted to find out how you get to that point. I tried to fill in that gap." As tradition dictates, successful students like Jonathan feel the tap of the Dundee bonnet in the Caird Hall at their graduation. The bonnet – spun, woven, dyed and embroidered for the university by the Dundee Bonnetmakers Craft – is used by the chancellor, Lord Patel of Dunkeld, to symbolically confer degrees on graduates.
Stefano Brizzi, 50, has been jailed for life for strangling a police officer during a bondage sex session and then attempting to cook and eat parts of his body. Brizzi admitted he was inspired by his favourite TV series Breaking Bad as he tried to get away with killing 59-year-old PC Gordon Semple by also dissolving his flesh in an acid bath. Last month, the former Morgan Stanley IT developer was found guilty of murder by a majority of 10 to two after a jury at the Old Bailey had deliberated for more than 30 hours. The estate where Semple’s remains were found (Jonathan Brady/PA) Semple was a “caring and gentle person” and “much loved” by his family, who were left devastated with the news of his murder, the court heard. The trial had heard that Brizzi met his victim on gay dating app Grindr and arranged a “hot, dirty, sleazy session” at his flat near London’s Tate Modern gallery on April 1. According to Brizzi, Semple died when a dog leash he had been wearing slipped as they played a “strangulation game”. But a pathologist concluded that while strangulation was a possible cause of death, it would have taken minutes rather than moments, as the defendant had claimed. Stefano Brizzi has been jailed for life (Metropolitan Police/PA) In the days after the killing, Brizzi was caught on CCTV buying buckets, a perforated metal sheet and cleaning products from a DIY store. He then set about dismembering the body, stripping the flesh, burning some in the oven and mixing some with acid in the bath. Semple’s long-term partner, Gary Meeks, reported him missing when he failed to return to their home in Dartford, Kent. Neighbours complained about the stench coming from Brizzi’s flat and eventually called police, who came across the grisly sight of “globules” of flesh floating in the bath, bags containing bones and a part of Semple’s head, and pools of human fat in the oven. Pc Gordon Semple was strangled (Metropolitan Police/PA) Following his arrest, Brizzi admitted killing and trying to dissolve the body of the policeman because “Satan told me to”. Brizzi denied trying to cannibalise parts of Semple by cooking and then biting into a rib found in his kitchen bin. But at his sentencing, the prosecution said an expert odontologist had since confirmed that even though Brizzi claimed not to remember it, he had in fact tried to eat human flesh. Judge Nicholas Hilliard QC handed crystal meth addict Brizzi life in prison with a minimum of 24 years. Brizzi was also sentenced to seven years for obstructing a coroner, which will run concurrently. CCTV footage showing Brizzi purchasing supplies like buckets after Semple’s death (Metropolitan Police/PA) The judge said there were “terrible features” of the case and that Brizzi’s drug addiction had ruined his life. He told Brizzi: “Regret you express now for Mr Semple’s death has to be seen against what you did over a number of days to his body.” The defendant sat in the dock with his head bowed throughout the hearing.
Audi’s Q2 was one of the first premium compact SUVs on the market. It sits below the Q3, Q5 and the gigantic, seven seat Q7 in Audi’s ever growing range. Although it’s about the same size as the Nissan Juke or Volkswagen T-Roc, its price is comparable with the much larger Nissan X-Trail or Volkswagen Tiguan. Even a basic Q2 will set you back more than £21,000 and top whack is £38,000. Then there’s the options list which is extensive to say the least. My 2.0 automatic diesel Quattro S Line model had a base price of £30,745 but tipped the scales at just over £40,000 once a plethora of additions were totted up. Size isn’t everything, however. In recent years there’s been a trend of buyers wanting a car that’s of premium quality but compact enough to zip around town. It may be a step down in size but the Q2 doesn’t feel any less classy than the rest of Audi’s SUV range. The interior looks great and is user friendly in a way that more mainstream manufacturers have never been able to match. The simple rotary dial and shortcut buttons easily trounce touchscreen systems, making it a cinch to skim through the screen’s menus. https://www.youtube.com/watch?v=4eQ5p5Z7-Ek&list=PLUEXizskBf1nbeiD_LqfXXsKooLOsItB0 There’s a surprising amount of internal space too. I took three large adults from Dundee to Stirling and no one complained about feeling cramped. As long as you don’t have a tall passenger behind a tall driver you can easily fit four adults. At 405 litres the boot’s big too – that’s 50 litres more than a Nissan Juke can muster. Buyers can pick from 1.0 and 1.4 litre petrol engines or 1.6 and 2.0 litre TDIs. Most Q2s are front wheel drive but Audi’s Quattro system is standard on the 2.0 diesel, as is a seven-speed S Tronic gear box. On the road there’s a clear difference between this and SUVs by manufacturers like Nissan, Seat and Ford. Ride quality, while firm, is tremendously smooth. Refinement is excellent too, with road and tyre noise kept out of the cabin. It sits lower than the Q3 or Q5 and this improves handling, lending the Q2 an almost go-kart feel. On a trip out to Auchterhouse, with plenty of snow still on the ground, I was appreciative of the four-wheel drive as well. The Q2 is expensive – though there are some good finance deals out there – but you get what you pay for. Few cars this small feel as good as the Q2 does. Price: £30,745 0-62mph: 8.1 seconds Top speed: 131mph Economy: 58.9mpg CO2 emissions: 125g/km
As a long-established British wildlife artist, Jonathan Sainsbury has spent a lifetime observing and drawing the natural world. And these days some of his greatest inspirations can be found in Perthshire where he and his wife now live. Michael Alexander met him at home in Comrie. The walls of Jonathan Sainsbury’s cosy farmhouse kitchen – within the former manse of the Episcopal Church in Comrie where wife Kate is a lay reader – are lined with drawings and paintings of wildlife. Here in the heart of Highland Perthshire, towards the western end of Strathearn, Jonathan has access to miles of open moorland and woods that have inspired recent watercolour and charcoal drawings of everything from black grouse to starlings. Years ago whilst living in his native England, and before he became one of Britain’s longest-established wildlife artists, Jonathan realised there was a commercial market amongst the London sporting fraternity for pictures of springer spaniels in the countryside, and he obligingly painted such classic images to make ends meet. Today, however, some of Jonathan’s favourite creations are those “unsaleable” paintings that he’s inspired to compose whilst roaming the Perthshire countryside. It might be a dead pheasant lying on the road with thrushes stealing berries from its split belly. “You can only paint that if you’ve seen it,” he says. Further afield, he’s been known to make a political statement by painting pictures of oiled seabirds. But what underlines all of his work is a lifelong desire to combine his love of art with his love of nature. A master of the “fleeting moment”, Jonathan’s atmospheric compositions might be inspired by that dead thrush he picked up on one of his solitary walks – or a hare kept in the freezer until the time was right to draw. He might combine this with a sketch he made of a branch he saw when he visualised a small bird chasing spiders. But closer to home, Jonathan also finds daily, somewhat eccentric, inspiration from a wild starling that has befriended the couple and lives in a cage in their kitchen. The bird, which Jonathan calls Tweet and Kate calls Evan as in ‘eaven sent’, bathes in their sink and has breakfast with them each morning. Jonathan explains: “Kate was mowing the lawn a couple of years back and found a pink blob just before she was about to thrash it with the blades. “It was a two day old starling with its eyes still shut - looking like a little pink dinosaur! “She brought it in and put it on the Aga to warm up. He was asking for food. Before we knew it we were out in the garden digging for worms and started feeding it. So when he opened his eyes for the first time and sees us, he doesn’t think he’s a bird – he thinks he’s a human! “He’s been an absolute joy! I’d let him out the cage but he’d just crap all over you!” adds Jonathan mischievously. Jonathan, 65, has had a close affinity with nature all his life, and traces this back to his “idealistic” upbringing in rural Warwickshire. Raised in Stratford-upon-Avon by his mother – a former RADA-trained actress – who used to manage the Royal Shakespeare Theatre, and his father – a corn merchant who contracted polio after the war and struggled to walk thereafter - Jonathan has fond memories of growing up in a village that in retrospect seemed to be “stuck in time”. “It was a bit like Victorian England at the turn of the century with one bus a week” he smiles. “It meant I had this wonderful freedom that all young boys my age had. We went out the door and played. I used to catch things, trap things, dead or alive. – I didn’t really mind which. It was just life!” But it was that simple life that sparked his interest in nature. “Because you were small you were automatically down there with the animals, the bugs and the creepy crawlies,” he recalls. “I spent a lot of time in the village pond picking out newts.” Being dyslexic, Jonathan says that academically he was “no good” and would “never go on to become a vet or anything”. But he showed a strong aptitude for art before the age of five and it quickly became the centre of his life. “I used to get dead birds and take them to pieces to see how they worked!” he recalls. “Everybody knew that I was the kid – the strange boy – who used to go to school with animals in his pocket.” Jonathan’s teacher let him “sit in the corner and draw” in those early days. But it was when he experienced the “horror story” of boarding school in Warwick between the ages of eight and 13 that art – which was not on the curriculum – became his salvation. “I used to draw people I liked in heaven and people I didn’t like in hell. Then I was told I couldn’t do that because it wasn’t healthy!” he laughs. “You’ve got to remember it was after the war. It was like a Monty Python sketch. The mentality was ‘you are going to go to war and lay down your life for your country’. If you said you like drawing they said, ‘well not here you don’t’. It was basically effeminate or something.” Jonathan was relieved when his father let him go to his local comprehensive school at 13 where art was on the curriculum. It was around this time, in the 1960s, that he became aware of environmental issues – and the rise of the environmental movement – which he began to reflect in his work. It wasn’t until he left school at 16, however, and went to art school in Leamington Spa, that Jonathan felt “reborn”. He admits he was a “bit wild” in those days. When he was involved in a near fatal car accident at 17 which saw the driver killed while he spent a long time in hospital, he came out a “slightly different person”. He later dropped out of the Byamshaw School of Drawing and Painting after four terms because it was “too narcissistic”. He went “back to nature” in the Stratford area, getting a job on a farm, followed by a job painting scenery sets at the theatre. But by the age of 23, he finally decided he wanted to go to art school “properly” and successfully enrolled at Leeds Polytechnic after impressing interview staff with his version of an ornithopter – a life-sized owl you could get inside and (potentially) fly! After graduating he started drawing wildlife for money – and the rest is history. After being taken up by a gallery in Cirencester – where he started drawing his springer spaniels – he met his wife to be in North Devon and was persuaded by the gallery owner to follow in the footsteps of Scottish animal painter Archibald Thorburn with a trip to Scotland. He spent that first night in the Comrie Hotel. Little did he know that a few years later the area would become their permanent home. Jonathan and Kate, who have lived in their current home since 2002, have three grown up children. Their son Louis, 30, who is profoundly brain damaged through meningitis contracted at birth, lives in Glasgow where he receives 24-hour care. He comes home every third weekend. Daughter Daisy, 27, born in St Fillans, is a fellow in French modern poetry at Oxford University whilst Minty, 26, who studied architecture at Cambridge, is herself now a full-time artist with an interest in heritage and buildings. Jonathan still likes to travel. He was in America last summer and this June he will take his Ark for Nature pop-up-pavilion to Inverness Cathedral, inviting schools, communities, arts groups, wildlife and countryside followers, to an exhibition that combines art for sale with wider reflection on nature. It’s Comrie, however, that he is so pleased to call home. “Inspiration is everywhere in Perthshire,” he smiles. “I like weather. I like snow. I like rain. I like all those things that give me pictures. And I also love Comrie. It's a fantastic community. As a place to live it's lovely. We are so lucky.” *This article appears in the spring edition of the Perthshire Living magazine.
An Angus super slimmer is a shadow of the man he used to be. In just a year, Letham’s Jonathan Johnstone is just a few pounds away from shedding a staggering 12 stone and is now in the running for a major national prize. Jonathan’s success has been achieved through the Forfar Slimming World group and with an expenses paid holiday also on offer to the organisation’s man of the year, the 28-year-old might be able to pull on his swimming shorts after years of being frightened to venture poolside. The Dundee Department for Work and Pensions officer admitted the trigger for his slimdown had been the idea of a family holiday with partner Kirsty Simpson and children Jack, 12, Alex, 7, and five-year-old Isla. “Kirsty had been going on about a trip to Centre Parcs and eventually I told her that I wasn’t really comfortable with a holiday like that where the swimming pool is such a big part of it,” he said. “A friend of Kirsty’s came here to Slimming World and I just started and have stuck to it,” he said. His dedication to the group’s diet programme has led to a weekly progress book of minus figures from June 6 last year and having shrunk from 29st 2lb to now tip the scales at 17st 8lb, Jonathan was an easy choice as the Forfar group’s man of the year. “I just enjoyed food too much but now it really is a case of enjoying it in a different way,” he said. “It’s been great for all of us, Kirsty is always looking out for things I like and it’s great for the kids because it’s so much healthier,” said Jonathan. Jonathan, who is 6ft 8in, admits the slimming success that has changed his world has one small downside. “The only thing I don’t like about it is having to continually change my wardrobe,” he said. His remarkable progress has been accompanied by a shrinking waistline which has gone down from 48in to 36in. Slimming World consultant Carmen Glasby said: “We’re really proud of Jonathan, he has stuck to it and helped show others in the group just what can be achieved.”
Standing out from the crowd on Tinder can be tough, but with the help of Microsoft PowerPoint a British student has managed just that – and gone viral in the process.Sam Dixey, a 21-year-old studying at Leeds University, made a six-part slideshow entitled “Why you should swipe right” – using pictures and bullet points to shrewdly persuade potential dates to match with him on the dating app. The slideshow includes discussion of his social life and likes, such as “petting doggos” and “laser tag”, and “other notable qualities and skills” – such as being “not the worst at sex” and “generous when drunk”.It even has reviews mocked up from sources such as “Donald Trump”, “Leonardo Di Capri Sun” and “The Times Guide to Pancakes 2011”.Sam told the Press Association the six-slide presentation only took about 20 minutes to make and “started off as a joke”.However, since being posted to Twitter by fellow Tinder user Gracie Barrow, Sam’s slideshow has been shared tens of thousands of times across social media.So, it’s got the seal of approval form Gracie, but how has the slideshow fared on Tinder? “I’d have to say it has been pretty successful,” Sam said. “Definitely a clear correlation of matches and dates beforehand to afterwards.“Most of the responses tend to revolve around people saying ‘I couldn’t help swipe right 10/10’ but I’ve had some people go the extra mile and message me on Facebook.“Plus some people have recognised me outside, in the library and on dates.”A resounding success.
Arbroath swimming pool is set to re-open on Thursday morning. Angus Council closed the pool twice in November when traces of the diarrhoea bug cryptosporidium were found in the water. A full and independent assessment of the pool and the pool equipment has now been carried out and the council confirmed two water samples have been independently tested as clear. That will see the pool re-open at 8.30am. Council leisure officials have made a plea to follow simple rules to prevent any further risk of an outbreak of the painful bug. They have urged users not to swim if they have had diarrhoea in the last 14 days, to shower before using the pool, and to wash their hands after using the toilet. “If in doubt, stay out,” said a Council spokesperson. “Look out for the pool hygiene information at our pools, including specific information for parents of babies and toddlers.” Cryptosporidium is spread through contact with infected food, water and animals, including person-to-person spread. Outbreaks are commonly reported in association with animals and/or with private water supplies. The cryptosporidium bug can cause diarrhoea, vomiting, stomach cramps and a slight fever. Most cases are mild and improve without specific treatment. However, cryptosporidium infection can produce a severe illness in those whose immune systems are compromised.
The Government’s plan for a real-terms cut in working-age benefits has cleared its first Commons hurdle, after heated exchanges between coalition and Labour MPs. MPs voted by 324 to 268 to give the legislation a second reading but former Liberal Democrat minister Sarah Teather rebelled and warned attacks on the poor could lead to the “fragmentation” of society. Labour branded the plan a “strivers’ tax”, as 68% of households caught by the below-inflation rise in benefits were in work. But Work and Pensions Secretary Iain Duncan Smith accused Labour of tying working families into the benefits system and “buying votes” by increasing handouts. The Welfare Benefits Uprating Bill limits rises in most working-age benefits to 1% in 2014-15 and 2015-2016 instead of linking them to inflation. Similar measures for 2013-14 will be introduced separately. A Labour bid to block the Bill and insist on a “compulsory jobs guarantee” was defeated by 328 votes to 262. Mr Duncan Smith said that since the beginning of the recession incomes for those in work have risen by about 10% but for those on benefits they have risen by about 20%. He said: “What we are trying to do over the next few years is get that back to a fair settlement and then eventually it will go back on to inflation.” But shadow work and pensions secretary Liam Byrne claimed the Bill was a “hit and run on working families” who were paying the price for the Chancellor’s economic failure. “Millionaires will have £107,000 more from next year to help them heat the swimming pool,” he said. “It’s not Britain’s millionaires who are picking up the tab, it is Britain’s working families. This bill is a strivers’ tax, pure and simple.” Labour former foreign secretary David Miliband described the bill as “rancid” and claimed it was motivated by party politics. Ms Teather, who lost her job as children and families minister last September, hit out at the way the arguments over the below-inflation rise had been characterised as a division between “shirkers and strivers.” In the Autumn Statement Mr Osborne said the measure was about “being fair to the person who leaves home every morning to go out to work and sees their neighbour still asleep, living a life on benefits”. But Ms Teather said: “A fissure already exists between the working and non-working poor. Hammering on that faultline with the language of shirkers and strivers will have long-term impacts on public attitudes, on attitudes of one neighbour against another.”