Another week, another new Audi. Two new Audis, in fact. The German car maker has announced a couple more additions to its Q line up of SUVs. The Q4 is a coupe-SUV hybrid that will go up against the BMW X4 and Mercedes GLC Coupe. As its name suggests, it’ll be positioned between the compact Q3 and bigger Q5. At the other end of the scale is the Q8, which will go head to head against the Range Rover. It’s lower and sleeker than the Q7 Audi is also producing. In concept form, it sat only four people, although it seems likely the production version will be a five seater. There’s a 630 litre boot as well. Eagle eyed Audi followers will notice the only SUV slots left to fill are the Q1 and Q6. Watch this space...
After torrential rain on Saturday, more benign conditions helped to create a fitting finale for the East Neuk Festival yesterday. The gardens and grounds of Cambo Estate were the setting for a unique musical performance. The highlight was a world premiere of a new work by John Luther Adams. From A Distance, specially created for the festival, featured a huge number of horns ringing out through Cambo’s woodlands. Other highlights of the festival’s final day included a performance at Crail Church by John Butt. He took to the Harrison and Harrison organ to showcase a mixed programme of music including masterworks by Bach and Handel. The organ was originally built for the private house of John W Blyth (Michael Portillo’s grandfather).
Michael Portillo has withdrawn a claim he heard Andrew Mitchell use the word “pleb” in private claiming he got “carried away”. In a live television discussion about the so-called “Plebgate” row, the Tory former Cabinet minister declared: “I have heard him use that word in private conversation the pleb word, I mean.” That appeared to contradict Mr Mitchell’s insistence at the height of the controversy over his row with Downing Street police officers that it was not the sort of word he would use. Pressed on whether he had heard him use the word, Mr Portillo, who served with Mr Mitchell in John Major’s Conservative government, said: “I think I did but not in a bad context.” However, the former politician, a regular pundit on the show, now says he has no recollection of hearing the word pass the lips of his ex-colleague. “I seem to have misspoken,” he said.
Audi’s Q2 was one of the first premium compact SUVs on the market. It sits below the Q3, Q5 and the gigantic, seven seat Q7 in Audi’s ever growing range. Although it’s about the same size as the Nissan Juke or Volkswagen T-Roc, its price is comparable with the much larger Nissan X-Trail or Volkswagen Tiguan. Even a basic Q2 will set you back more than £21,000 and top whack is £38,000. Then there’s the options list which is extensive to say the least. My 2.0 automatic diesel Quattro S Line model had a base price of £30,745 but tipped the scales at just over £40,000 once a plethora of additions were totted up. Size isn’t everything, however. In recent years there’s been a trend of buyers wanting a car that’s of premium quality but compact enough to zip around town. It may be a step down in size but the Q2 doesn’t feel any less classy than the rest of Audi’s SUV range. The interior looks great and is user friendly in a way that more mainstream manufacturers have never been able to match. The simple rotary dial and shortcut buttons easily trounce touchscreen systems, making it a cinch to skim through the screen’s menus. https://www.youtube.com/watch?v=4eQ5p5Z7-Ek&list=PLUEXizskBf1nbeiD_LqfXXsKooLOsItB0 There’s a surprising amount of internal space too. I took three large adults from Dundee to Stirling and no one complained about feeling cramped. As long as you don’t have a tall passenger behind a tall driver you can easily fit four adults. At 405 litres the boot’s big too – that’s 50 litres more than a Nissan Juke can muster. Buyers can pick from 1.0 and 1.4 litre petrol engines or 1.6 and 2.0 litre TDIs. Most Q2s are front wheel drive but Audi’s Quattro system is standard on the 2.0 diesel, as is a seven-speed S Tronic gear box. On the road there’s a clear difference between this and SUVs by manufacturers like Nissan, Seat and Ford. Ride quality, while firm, is tremendously smooth. Refinement is excellent too, with road and tyre noise kept out of the cabin. It sits lower than the Q3 or Q5 and this improves handling, lending the Q2 an almost go-kart feel. On a trip out to Auchterhouse, with plenty of snow still on the ground, I was appreciative of the four-wheel drive as well. The Q2 is expensive – though there are some good finance deals out there – but you get what you pay for. Few cars this small feel as good as the Q2 does. Price: £30,745 0-62mph: 8.1 seconds Top speed: 131mph Economy: 58.9mpg CO2 emissions: 125g/km
Standing out from the crowd on Tinder can be tough, but with the help of Microsoft PowerPoint a British student has managed just that – and gone viral in the process.Sam Dixey, a 21-year-old studying at Leeds University, made a six-part slideshow entitled “Why you should swipe right” – using pictures and bullet points to shrewdly persuade potential dates to match with him on the dating app. The slideshow includes discussion of his social life and likes, such as “petting doggos” and “laser tag”, and “other notable qualities and skills” – such as being “not the worst at sex” and “generous when drunk”.It even has reviews mocked up from sources such as “Donald Trump”, “Leonardo Di Capri Sun” and “The Times Guide to Pancakes 2011”.Sam told the Press Association the six-slide presentation only took about 20 minutes to make and “started off as a joke”.However, since being posted to Twitter by fellow Tinder user Gracie Barrow, Sam’s slideshow has been shared tens of thousands of times across social media.So, it’s got the seal of approval form Gracie, but how has the slideshow fared on Tinder? “I’d have to say it has been pretty successful,” Sam said. “Definitely a clear correlation of matches and dates beforehand to afterwards.“Most of the responses tend to revolve around people saying ‘I couldn’t help swipe right 10/10’ but I’ve had some people go the extra mile and message me on Facebook.“Plus some people have recognised me outside, in the library and on dates.”A resounding success.
An award-winning Tayside song writer who immortalised the 50th anniversary of the Tay Road Bridge in music last year has released an EP which pays tribute to the newly opened Queensferry Crossing over the Forth. Perth-born Eddie Cairney, 65, who now lives in Arbroath, has released an album called ‘Sketches o' the QC’ which includes songs dedicated to the “isolated” workers who were employed during construction and contrasts the old Forth Road Bridge to the new crossing with its wind shields designed to keep traffic flowing during storms. Eddie, who delayed the release of the album due to family illness and bereavement, said: “It's just another quirky album like I did for the Tay Road Bridge. https://youtu.be/Z6BblA_Zev4 “As you can probably imagine, how do you write six songs about a bridge? “I usually end up using a process of creative journalism. I get a few facts or even just a single fact and then I let my imagination take over. “With each album early on in the writing process I draw a blank and think there's nothing here I can write about but there's always something to write about. “You just have to hang around long enough and it comes eventually. https://youtu.be/a9NyQAFjDsY “I just took threads from here and there. I was going to call the album The Queensferry Crossing but thought that was a bit boring so I went for Sketches o' the Q.C. “It introduces a bit of ambiguity. If you Google the name you get lots of drawings of court scenes!” Eddie was inspired to write Columba Cannon after reading an article about the general foreman for the foundations and towers. https://youtu.be/y_y1y8oV7vo Eddie said: “It was the name that got me and that gave me the first line of the song "He is a bridge builder wi a missionary zeal" Has to be with a name like Columba!” Fishnet bridge was set in a meditative light, describing the bridge as a “thing of beauty that looks like a big fish net glistening high above the Forth but it is a symbolic fishnet with the song taking the form of an imaginary conversation with the bridge.” https://youtu.be/dJgsl2WQ5G0 “Midday starvation came from an article which highlighted the isolation of the workers working high up on the bridge,” he added. https://youtu.be/Dme-bfCXHRI “If you forget your piece you've had it and you starve for there's no nipping round to the corner shop for a pie. The article also said that a local pizza delivery firm regularly delivered a pallet load of warm pizzas to the bridge so that was "midday salvation"! Meanwhile, The boys frae the cheese is a play on words. https://youtu.be/phtQ2-Xx1I0 He added: “I read an article that said The Forth Estuary Transport Authority (FETA) could have acted sooner and avoided the costly closure of the bridge at the end of 2015.” Eddie is no stranger to music and song influenced by Dundee and wider Scottish history. In 2015 he featured in The Courier for his efforts to put the complete works of Robert Burns to music. With a piano style influenced by Albert Ammons, Champion Jack Dupree and Memphis Slim, and a song-writing style influenced by Matt McGinn, Michael Marra and Randy Newman, the former Perth High School pupil, who wrote the 1984 New Zealand Olympic anthem, has organised a number of projects over the years including the McGonagall Centenary Festival for Dundee City Council in 2002. Last year’s Tay Road Bridge album included a tribute to 19th century poet William Topas McGonagall and also honoured Hugh Pincott – the first member of the public to cross the Tay Road Bridge in 1966. https://www.youtube.com/watch?v=y51tixl9GEs Thanks to The Courier, he also became one of the first to cross the Queensferry Crossing when it opened to the public in the early hours of August 30.
Kirkcaldy-born Cora Blyth, mother of Tory politician Michael Portillo, has died at the age of 95. A passionate linguist, she left the Fife town and her father’s linen business to study Spanish and French at Oxford. During her studies she met Luis Gabriel Portillo a handsome Castilian who had fought with Republican forces during the Spanish Civil War while visiting a refugee camp in Aston. She proposed to him in 1941 and the couple went on to have five children, the youngest being the Conservative politician turned writer-broadcaster. During the war she worked reading letters to ensure they gave away no secrets, while Luis, as a registered alien, contented himself with menial jobs. He would go on to be a BBC producer, lecturer and published poet. Following Hitler’s defeat, the couple set up home in Stanmore, Middlesex, and Mrs Blyth de Portillo began to teach the two European languages she had studied, first at night classes, then at a number of secondary schools. Lively parties, centred on exotic Spanish food, featured prominently among her extra-curricular activities. Originally a passionate supporter of the Labour party her house was used as a committee room by her local party branch in the 1960s and 1970s she later switched to supporting the Liberal Democrats. Despite her European surroundings, she never forgot her Scottish roots. Her father, who owned a successful linen factory in Kirkcaldy, collected paintings by the Scottish colourists, many of which were later donated to the town. She is survived by four sons.
Audi’s relentless release of new models continues with the launch of its smallest SUV. The Q2 goes on sale in the UK next week with prices starting at £22,380. There’s an extensive selection of petrol and diesel power trains as well as the option of front or Quattro four-wheel drive. More models will be added to the range later on, including powerful SQ2 and RSQ2 versions. Aimed squarely at a younger audience, the Q2 has bolder, sharper lines and a different shape to Audi’s bigger SUVs, the Q3, Q5 and Q7. Although it’s clearly meant more for buzzing around cities than growling across farmland, cladding and skid plates lend it an aura of ruggedness. Audi is also offering a range of vibrant colours to deepen the Q2’s appeal to youthful buyers. The interior is as plush as you’d expect from Audi, justifying its price hike over similarly sized SUVs like the Nissan Juke and Honda HR-V. The materials are high quality – softtouch plastics, leather on higher spec cars and brushed aluminium trim elements all blended into a smart-looking package. As standard, drivers get a seven-inch infotainment screen on top of the dashboard. It’s operated through Audi’s rotary dial system that’s far more intuitive and easier to use when on the move than rivals’ touchscreen systems. Among the many options is Audi’s excellent Virtual Cockpit - a 12.3in screen that replaces the manual instruments behind the steering wheel. Overall, the Q2 is 4.7in shorter than the A3 hatchback, but Audi says there’s enough leg and headroom for two adult passengers in the back. Boot space comes in at 405 litres – 50 more than you’ll find in the A3 hatchback and rival Nissan Juke, although it trails the Mini Countryman by the same amount. To begin with, the only diesel option is a 1.6 litre with 114bhp, although a more powerful 184bhp 2.0 litre unit will be added to the range soon. Similarly, the petrol engine range is limited for now but will be expanded by the end of the year. The 1.4 litre, 148bhp unit offered now will be joined by 1.0 litre, 114bhp three cylinder turbo and 2.0 litre, 187bhp options – the latter coming with an S-Tronic automatic gearbox. When it arrives the 1.0 litre petrol version will be the cheapest model in the range with a price tag of £20,230. Courier Motoring has yet to get its hands on the car but early reviews have been very positive and Audi looks to have yet another winner on its hands. email@example.com
More than four million viewers tuned in to the last instalment of the BBC Two programme Line of Duty but fans old and new can look forward to the direction of Broughty Ferry-born film-maker Michael Keillor in the new series’ first three episodes. The acclaimed police corruption drama is returning to screens tonight after a two-year break. Called in to investigate an armed response unit mission gone wrong, series three sees higher stakes than ever for members of the fictional anti-corruption unit AC-12. Already a fan of the series when he joined the project, Michael promised that viewers will be shocked and excited by the action in the season premiere. “It’s the most exciting domestic cop show on British TV,” he said. “There aren’t many contemporary police thrillers which have a political element to them.” The stakes have been raised by the introduction of an armed police unit. If a corrupt policeman is a danger to society, says Michael, a policeman with a gun is all the more risky. Now based in London, Michael’s success is happening at a time when local talent is making waves in film and TV. Fans of Jericho or River City may be familiar with the directorial work of Broughty Ferry native Robert McKillop and the Fife-born Andrew Cummings. McKillop, who hails from the same street as Michael in Broughty Ferry, recently directed three episodes for the new ITV drama Jericho. Cummings recently directed Kai, a short about a contemporary dancer struggling to reach the expectations of her choreographer. Michael is keen to encourage the next generation of film-makers to pick up a camera. With Dundee Contemporary Arts having celebrated its 15th anniversary this week and the waterfront regeneration well under way, he says now is a better time than ever for new talent. Compared to 20 years ago when his career began, Dundee is far more nurturing of the arts. Michael references two cultural landmarks as major turning points in his life the release of Trainspotting and the now closed Steps Cinema. “Steps was the only place for people like me to learn about different cinema,” he said. “Trainspotting showed that Scottish cinema could be the same as North American or European cinema.” Now aspiring film-makers can create films with just a mobile phone and a computer. Being from Dundee, in fact, can actually work to your advantage despite of any naysayers. Compared to Shoreditch, in which there are five film-makers in Michael’s building alone, directors in Dundee have the chance to stand out. “Don’t think you can’t be a film-maker just because you’re not from or London or Hollywood,” said Michael. “Film-makers come from everywhere. It’s about picking up a camera, having a go and not letting anyone tell you you can’t do it.” How can we see a better reflection of Scottish stories and people in the arts? With his work in high-quality television like Line of Duty, Michael’s focus is to create a bigger pool of talent in Scottish filmmaking. After all, creating shows like Line of Duty is part of his path to creating feature films primarily in Scotland. His current project is writing a homecoming tale set in the Highlands. “I hope articles like this will help guys like me who are sitting at home thinking ‘I could do that’.”
First there was the Q7. Then the Q5 and Q3. All have been a phenomenal success for Audi. I’d be surprised if that script changes when the Q2 arrives in November. Audi’s baby SUV is available to order now with prices starting at £22,380. Can’t quite stretch to that? Don’t worry, an entry level three-cylinder 1.0 litre version will be available later this year with a cover tag of £20,230. From launch, there are three trim levels available for the Q2 called SE, Sport and S Line. The range-topping Edition #1 model will be available to order from next month priced from £31,170. While the entry-level 113bhp 1.0-litre unit isn’t available right away, engines you can order now include a 113bhp 1.6-litre diesel and 148bhp 1.4-litre petrol unit, both with manual or S tronic automatic transmissions. Also joining the Q2 line-up from September is the 2.0-litre TDI diesel with 148bhp or 187bhp. This unit comes with optional Quattro all-wheel drive. A 2.0 litre petrol with Quattro and S tronic joins the range next year. Standard equipment for the new Audi Q2 includes a multimedia infotainment system with rotary/push-button controls, supported with sat-nav. Audi’s smartphone-friendly interface, 16in alloy wheels, Bluetooth connectivity and heated and electric mirrors are all also standard for the Audi. Along with the optional Audi virtual cockpit and the head-up display, the driver assistance systems for the Audi Q2 also come from the larger Audi models – including the Audi pre sense front with pedestrian recognition that is standard. The system recognises critical situations with other vehicles as well as pedestrians crossing in front of the vehicle, and if necessary it can initiate hard braking – to a standstill at low speeds. Other systems in the line-up include adaptive cruise control with Stop & Go function, traffic jam assist, the lane-departure warning system Audi side assist, the lane-keeping assistant Audi active lane assist, traffic sign recognition and rear cross-traffic assist.