Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Jamie Byng tells Canongate’s uplifting story

Post Thumbnail

Good judgment or luck? You cough up $40,000 for the memoirs of an unknown American senator after seeing his photograph in a bookshop. He defeats Hilary Clinton for the Democratic nomination and goes on to become America’s first black president.

Good judgment and good fortune for Jamie Byng, the prescient publisher of Canongate Books, whose Dreams of My Father by Barack Obama has now sold 1.2 million copies in its Canongate edition alone.

In one of the Dundee Literary Festival’s most eagerly awaited events Byng took the platform at Dundee University’s Dalhousie Building accompanied by a trio of his most popular authors Louise Welsh, Michel Faber and the former Bishop of Edinburgh Richard Holloway.

Canongate, like D. C. Thomson in Dundee The Courier is a festival sponsor is proudly an independent Scottish publisher. It was founded in 1973, fell on hard times, and was bought and sold a couple of times before emerging in 1994 under the dynamic guidance of Byng and its original owner Stephanie Wolfe Murray.

In championing Scottish authors such as Naomi Mitchison, Neil Munro and Alasdair Gray, while nurturing home-grown talent, its roots and spirit have remained Scottish. But its publishing parish is international in outlook and includes storytelling superstars such as Philip Pullman, Ali Smith and Margaret Atwood.

Richard Holloway, whose energetic stint as chairman of the Scottish Arts Council ends on Friday, best summarised Canongate when he said it “inspires loyalty and affection” while instinctively supporting “excitement, daring and risk” in its writers.

The company became a household name in 2002 when Life of Pi by Yann Martel won the Booker Prize. With a world best-seller on its hands, Byng described how Canongate’s turnover the following year doubled from £3 million to £6 million as new doors opened and it became “more credible.”

Yet while acknowledging today’s tough trading times, he embraced the emergence of electronic readers, which some claim will signal the final chapter of the printed book.

Byng pulled his iPhone from his pocket and told the audience that an app could allow him to see a seven-hour video on his phone of Nick Cave reading The Death of Bunny Munro.

Also causing a buzz was the announcement that Canongate’s archive of publications, draft scripts, artwork and proofs, has moved from its Edinburgh base to Dundee University.

The post-prandial entertainment continued with a reading by novelist Lesley Glaister. Married to acclaimed Scottish author Andrew Greig, Glaister reviews books for the Times and Spectator, is writer-in-residence at Edinburgh University and teaches creative writing at Sheffield Hallam University.

Glaister read from her 12th novel, Chosen, drawing on her experiences in the 1970s and the venial social crimes of hippy, druggy, spiritually-obsessed cults to produce another of her trademark tense plots. Not to be found alongside Jordan’s autobiography, by the way.

Alongside Jackie Kay’s epic on Thursday, Glaister’s reading was possibly the festival’s best so far though she acknowledged those frustrating periods on a manuscript’s journey from private to public where work is set aside or even jettisoned.